The Virginia Woolf Society of Great Britain

THE PRINCIPAL WORKS OF VIRGINIA WOOLF (1882-1941)

For a complete listing, reference should be made to A Bibliography of Virginia Woolf, 4th ed., by B. J. Kirkpatrick and Stuart N. Clarke (Oxford: Clarendon Press, 1997); the A-numbers below refer to item numbers in the Bibliography. Most of Woolf’s works are in print, were recently in print, or are in process of being reprinted; the only significant exceptions are her three Russian translations (not listed below). See also Recomended UK Paperback Editions of Virginia Woolf's Works.


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SELECTED REFERENCE WORKS ABOUT VIRGINIA WOOLF
[ BIOGRAPHIES || REFERENCE || CRITICAL || COLLECTIONS OF ESSAYS || BIBLIOGRAPHIES]

There are literally hundreds of books and thousands of articles about Virginia Woolf. The following is a brief list.
BIOGRAPHIES
Virginia Woolf: A Biography, by Quentin Bell (London: Pimlico, 1996, 1997 [1972])
Bell (1910-96) was Woolf’s nephew and was asked by Leonard Woolf to write her biography. His personal knowledge of Woolf and his elegant style mean that his biography is unlikely to be superseded.

Virginia Woolf, by Hermione Lee (London: Chatto & Windus, 1997 [1996])
This is likely to be the standard biography for the foreseeable future.

REFERENCE
Virginia Woolf A to Z: A Comprehensive Reference for Students, Teachers, and Common Readers to her Life, Works and Critical Reception, by Mark Hussey (New York & Oxford: OUP, 1996 [1995])
Mark Hussey seems to have read and assimilated everything, and provides summaries of plots of Woolf’s books, biographies of the Bloomsbury Group, and critical works.

Major Authors on CD-ROM: Virginia Woolf, ed. by Mark Hussey (Reading, UK: Primary Source Media, 1997)
Unbelievably expensive CD-ROM that includes almost all of Woolf’s published works and many of her manuscripts and typescripts, as well as Virginia Woolf A to Z. Indispensible for tracking down quotations.

CRITICAL
Criticism in Focus: Virginia Woolf, by John Mepham (New York: St Martin’s Press, 1992)
This is a guide to criticism and critical approaches: see TOC. [see below]

COLLECTIONS OF ESSAYS
Virginia Woolf: The Critical Heritage, ed. by Robin Majumdar and Allen McLaurin (London: Routledge, 1997 [1975])
A rather expensive collection of contemporary reviews:
see TOC. http://orlando.jp.org/VWWARC/B/vwch.html

Virginia Woolf: Critical Assessments, ed. by Eleanor McNees (East Sussex: Helm Information, 1994)
A fearfully expensive four-volume collection of criticism:
see TOC. http://orlando.jp.org/VWWARC/B/vwca.html

BIBLIOGRAPHIES
A Bibliography of Virginia Woolf, 4th ed., by B. J. Kirkpatrick and Stuart N. Clarke (Oxford: Clarendon Press, 1997).

A Checklist of the Hogarth Press, 1917-1946, by J. Howard Woolmer, with a short history of the Press by Mary E. Gaither ([Winchester:] St Paul’s Bibliographies, 1986)

International Virginia Woolf Society Bibliographies
http://www.utoronto.ca/IVWS/

Washington State University Libraries: Library of Leonard and Virginia Woolf
http://griffin.wsu.edu/search/

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John Mepham's Criticism in Focus: Virginia Woolf (NY: St Martin's Press, 1992)

Table of Contents

  1. LIFE AND CAREER
    Biographical Studies - Psycho-literary Speculations - Critical Reception to 1965 - Bibliographies and Reference Works
  2. VIRGINIA WOOLF AND HER CONTEXT
    'The Real World' - Marxist Views - Woolf and Psychoanalysis - The Bloomsbury Group - Bloomsbury Aesthetics
  3. VIRGINIA WOOLF AND MODERNISM
    Modernist Culture - Modernist Forms
  4. FEMINIST STUDIES
    A Passionate Audience - Woolf's Feminist Theory - Poststructuralist Perspectives - Gender and Woolf's Novels - Women's Literary Traditions
  5. PHILOSOPHICAL INTERPRETATIONS
    The Existential Project* - The Creative Consciousness - Time, Repetition, Deconstruction
  6. PRACTICAL AND THEMATIC CRITICISM
    Practical Criticism - Technical and Formal Analysis - Themes and Theses
  7. EDITIONS, DRAFTS AND AGENDAS
    The Early Novels - Modernist Novels - The 1930s - Other Writings

*'Philosophers have wanted us to believe that there is some more profound narrative, or stratum of being, beneath the layers of personality and emotion, relationship and social life.' (p. 87)
Cf. Leonard Woolf:
'I am concerned [here] solely with the question: what are [the novels] about? The moment one asks that question, the judgment of the hostile critics seems extraordinary. It seems to me impossible to read To the Lighthouse and not see that, beneath the surface of events and the kaleidoscope of thoughts and dialogue, the subject of the book, the pivot of the novel, is the most important and complex relations of human beings and the most profound problems of human existence . . .' (Foreword to Mitchell A. Leaska's Virginia Woolf's Lighthouse: A Study in Critical Method, Hogarth Press, 1970, pp.10-11)

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